CONKLIN: What do you have?
NICKY: Wombosi went to the morgue.
He saw the body. He didn't buy it.
Where is he now?
NICKY: I told you, I'm not staffed for this.
CONKLIN: Where is he? Right now. Where's Wombosi?
NICKY: They were leaving the morgue.
They just left.
ZORN: Sir, what do you want to do?
[Beeping]
I need to get the bottle.
BOURNE: Hey.
You already cleaned the room?
I wiped the whole place down for fingerprints.
Can I walk around or is it gonna leave any footprints?
You can walk around. It's no problem.
But we'll just keep track of everything we touch.
I think it's best if we leave a room, that we don't leave a trail.
Why? Where are we going?
BOURNE: I need to go to the hotel where John Michael Kane stayed.
The Hotel Regina.
If I was him, then they're gonna have some records.
We need that hotel bill.
MARIE: Okay.
It gets slightly complicated, though.
Because you're dead.
BOURNE: Right.
BODYGUARD: Please. WOMBOSl: They want war, we'll make war.
If they want to kill me, they better kill me the first time.
They better kill me dead. They better kill me when I'm in my sleep.
BODYGUARD: Listen to me. We need these people.
It's hard enough getting people that we know to help us.
BODYGUARD: We must be careful.
We?
No, you.
You need to bring me back that bastard kid's head...
...put it in front of this house, and show them the war we're fighting.
But that is precisely...
BODYGUARD: Nykwana.
[Screaming]
BOURNE: We'll give the watch a reference check before we go.
MARIE: Okay.
What's the pay phone number?
MARIE: 616-2468.
Exits?
There's three.
Service at the back, side goes to the street past the shops...
...front is the best.
If I think I'm being followed, I walk out with the bag over my right shoulder.
And if there's no taxi?
I keep on walking, don't look back until you make contact.
MARIE: What?
We need this, right?
Okay.
[Rhythmic instrumental music]
BOURNE: [Voice-over] I need distances.
You walk in, you pick a spot. Some midpoint in the lobby.
Count your steps to that spot, and then remember that number.
Because after I call you, I can get you moving.
You understand?
I also need a head count.
How many people from when you walk in until you get to the desk.
How many hotel employees are there? And obviously security.
And it might not be that easy to see who they are.
So I'll call you, you give me the layout, and we'll take it from there.
[In French]
OPERATOR: Regina.
Yes, the house phone in the lobby.
[Phone rings]...
...[Knocking on phone booth]
BOURNE: What happened? MARIE: I...
BOURNE: Did something go wrong? MARIE: I've got the records.
He, this guy at the front desk was smiling at me.
So I thought, you know, all this trouble, maybe it's easier to just ask for them.
BOURNE: You have the bill? MARIE: He made me a photocopy.
You just asked for it?
I said I was Mr. Kane's personal assistant.
BOURNE: Okay. That's good thinking.
ZORN: Sir, can I... ABBOTT: No.
ABBOTT: Wombosi was assassinated in his house in the middle of Paris.
Yeah, we just heard.
It's him. It's Bourne. We're almost positive.
He had an assignment. He failed.
He obviously felt compelled to finish the task.
ABBOTT: Jesus.
CONKLIN: We think he'll come back in now.
I mean, it's routine.
It's like behavioural software.
He's following a protocol.
Now that he's completed the mission, we think he'll come back in.
They always do.
When?
ABBOTT: How long till he checks in?
ZORN: 24 hours. ABBOTT: 24?
Yeah, it's usually something like that.
ABBOTT: Then what?
I told you we'd clean this up.
It will be clean.
BOURNE: I understand you're a dive shop, but where are you located?
BOURNE: Marseilles?
[Dialogue over police radio]...
...[French dialogue over radio]
BOURNE: What specifically does your company supply?
DIVE SHOP EMPLOYEE: I am sorry. What is your name, monsieur?
COP: [ln French]
You've been here for three hours and you still can't find a print?
[Knocking]
CONKLIN: What? ZORN: Paris police found the vehicle.
[Beeping]
RAWLINS: You've reached Simon Rawlins at Alliance Security, Maritime Division.
Paris office hours are from 8.00 a.m. to 5.00 p.m.
BOURNE: I got a lead in Paris.
The rest were Marseilles, and two out in Southampton.
Paris? It's what? - Alliance Security. Simon Rawlins.
I got a machine.
[Suspenseful instrumental music]...
...[Phones ringing in background]
SECRETARY: Mr. Kane?
Mr. Kane.
SECRETARY: How are you? BOURNE: I'm good. How are you?
Mr. Kane. Come right in. Please have a seat.
Thank you.
RAWLINS: So, this is the Palmer Johnson tri-deck.
I'm assuming you're still in the market. It's still the same vessel?
Yes.
[Parisian music, indistinct chatter]
So I'm Kane.
MARIE: They... BOURNE: I had a meeting as Kane.
They said... - No. I'm definitely Kane.
I just had a meeting as Kane and he knew me as Kane.
So I'm definitely Bourne. I'm also just definitely Kane.
It's all just boats.
I got blueprints and cameras and security systems.
I just found John Michael Kane's body.
In a morgue here in Paris.
But if you are John Michael Kane, whose body do they have?
ATTENDANT: What was the name again? BOURNE: Kane.
Kane.
BOURNE: John Michael Kane.
John Michael Kane.
[Woman sings over radio]
Kane. It's number 121.
I want to see the body.
Our boss could come back. We are not supposed to do that.
Come on.
Is this it? I mean, where is he?
ATTENDANT: I don't know.
[In French]
What's going on?
This guy has come to see the American. But the body has disappeared.
They came yesterday evening... his brother.
He's not in the register.
Who are you? What's going on?
Where's the body that goes in here? - I said someone came last night.
I know. Where'd they take the body?
Look, this is not a carnival, okay?
People call, they make an appointment, follow the rules.
Everyone signs in and out. This is a serious place. Serious work.
It's not just to come in whenever you like. - You're right. We didn't sign in.
BOSS: Get the hell out of here.
BOURNE: Fine. I'm just gonna go sign in. BOSS: Okay, go.
BOURNE: Is this it?
BOSS: You can't take the book. BOURNE: This is it?
It's okay. There's a pencil in here. That's fine.
Honey, why don't you go wait outside? Here it is.
BOSS: We can't have... BOURNE: Okay.
MARIE: Jason, what just happened in there?
What are you looking for?
BOURNE: Nykwana Wombosi.
Wombosi went to the morgue to visit Kane.
See?
MARIE: So? BOURNE: He's in the Alliance brochure.
BOURNE: Same guy.
This guy knows.
[Police siren blares]...
...[Indistinct chatter]
My French sucks. I can't... It says something about a boat or...
I don't understand. What does it say? You read it. Tell me. What?
It says that 3 weeks before he was killed, Mr. Wombosi told police...
...that a man came onto his yacht, five miles off the coast of Marseilles...
...and tried to kill him.
It says that he chased the man off the boat and shot him twice in the back.
It says I'm an assassin.
[Soft instrumental music]...
...[Siren sounds]...
...[In French]
Stop the car.
But no... you said Rue de I... we're almost there.
Just right here, this is good.
I said stop.
MARIE: What's going on?
Well... what's going on?
MARIE: What the hell are you doing?
BOURNE: Go. Go. MARIE: What are...
You gave me too much.
BOURNE: We're blown. Come on. MARIE: Blown? What is 'blown'?
Monsieur... your change, your change.
Sir, please... You can't stay here... You have to leave.
BOURNE: Keep walking.
What do you think they're doing there? They're on to the hotel.
No. You don't know that. - Trust me. Just keep walking.
[Sirens blare]...
...[Indistinct chatter]
Are you crazy? What are you doing now?
MARIE: Jason.
BOURNE: This is blown.
BOURNE: Marie? MARIE: Get away.
BOURNE: Stop right there. MARIE: Get away from me.
What are you gonna do? Kill me?
BOURNE: Marie. MARIE: Is that next?
Listen, stay calm. Stay calm.
Whatever we do, we have to do it together.
We have to be... - We?
The only thing we had in common was that neither of us knew who you were.
MARIE: We've passed that now. BOURNE: Listen.
The police'll find us. The people who took the picture in the embassy...
...who killed Wombosi, they're gonna come here and kill us.
The people who you work for.
I will take you wherever you need to go. I'll take you there. I'll leave you there.
You can do what you want. You never have to see me again.
BOURNE: But not here. If we stay here, we die.
Boy, great police work. Really brilliant.
Why don't they just hang out a banner that says, 'Don't come back.'
Jesus Christ. What is the French word for 'stakeout'?
CONKLIN: Okay, this was 16 minutes ago.
This is our starting point.
CONKLIN: Can't fly, trains are risky. Nicky? NICKY: Here.
I need to know everything Paris's finest is doing on this.
NICKY: I'm on it.
ABBOTT: [Voice-over] You said 24 hours, and he's not back.
CONKLIN: [Voice-over] No. But we got a good idea where he is.
ABBOTT: You've got a black ops agent who's off the reservation.
He trashed an American consulate. He's on the run in Europe.
You don't know why. I got to stand before an oversight committee.
What will I say about Treadstone?
You're worried about a budget meeting?
We don't take care of this, we don't make it to the men's room.
Now, is that clear enough for you?
We will burn for this.
We will both of us burn.
CONKLIN: All right, I want two teams. Daryl, Ray, stay on the grids.
Brian, Harris, Steve...
...I want to work on this girl.
CONKLIN: And this residency pattern? COMM TECH 1: We started it.
Get it out.
[Phone rings]
COMM TECH 1: We cross-referenced numbers from her relatives.
When we found convergence, we took the numbers...
...back-checked them, ran a search merge...
...with other data we had, which wasn't much.
Pins. These pins.
These are all the places we think she's lived in the last six years.
CONKLIN: One, two, three, four, five.
That's our pool.
MARIE: No answer.
How many times you let it ring?
Look, if you don't want to go, I'll hitch. - I said I'd take you.
CONKLIN: Those are the targets.
Beg, borrow, hack, tap, bypass. I don't care what you do.
I want to know everything you can tell me about what's going on at those locations.
[Fast-paced instrumental music]
BOURNE: How do you know he still owns this?
MARIE: Eamon always had money. He would never sell this.
[Loud crash]
Marie?
MARIE: What?
We got to go.
What?
We got to go.
[Curses in German]
I thought it would...
...[Car brakes squeak]
MARIE: Shit, that's Eamon. I'll talk to him. BOURNE: We're leaving.
Eamon. Surprise.
It's me, Marie. Wow, God...
...there's a really good reason for this.
EAMON: There bloody well better be.
CLAUDIA: Daddy. EAMON: Hang on. Hang on.
I had no idea you would be here.
Well, why would I be here? It's only my bloody house, right?
MARIE: Yeah.
Did she get you into this?
It was just gonna be for a day.
Daddy, Alain has to go pee.
All right, all right, come on. Here. Get out of the car.
Okay, in you go.
EAMON: Come on, Alain.
MARIE: I'm sorry. I...
I thought it would be okay. But I guess I was wrong.
Let's find Mummy. - Mummy?
Mummy is away for two days, thank God.
BOURNE: You've got yourself all tied up here.
BOURNE: Okay.
What's he do for a living?
He used to be in shipping.
Is he good for you?
Are you happy?
You know me. I try too hard.
[Christmas music plays on radio]
Here you go.
Sleep well.
Good night.
BOURNE: I'll sleep on the floor.
CONKLIN: This was when? RESEARCH TECH 2: 11:45 a.m.
Which is definitely within the driving range of Paris.
RESEARCH TECH 1: The call came from a rest stop.
CONKLIN: Yeah. What's this yellow pin?
She spent two months there in 1997.
Closest town is Riom.
We took her family's phone records and collated the international calls.
They were in Paris at 2.00 a.m.
They can't fly. The train's too dangerous.
He knows better than to go anywhere we might track him.
So this is our best guess.
[Suspenseful instrumental music]...
What are you doing? - The kids. I was worried. I couldn't sleep.
MARIE: You'll wake them up. We got to go.
BOURNE: I don't want to know who I am anymore.
I don't care. I don't want to know.
MARIE: Come on. We'll talk about... BOURNE: I want to forget everything.
It's okay.
BOURNE: I don't care who I am or what I did.
It's okay.
BOURNE: We have this money.
We can hide.
Can we do that? Is there any chance you can do that?
MARIE: I don't know.
MARIE: Come on.
[Birds chirping]
CLAUDIA: Here, boy. Here, boy.
'Morning.
EAMON: Christ. You were up early.
Bless you for making coffee.
One night. You weren't kidding.
For a change.
He's not there either.
EAMON: And you looked by the car? CLAUDIA: He's not anywhere.
All right, let me get dressed.
BOURNE: Who? EAMON: Bloody dog's gone missing.
Does that happen a lot?
What? That mutt? Miss his breakfast? Not a chance.
It's always something, right?
Get in the basement.
What?
Get everyone in the basement. - What are you talking about?
You're in danger. Your family's in danger. I don't have time to explain.
EAMON: Wait a minute. What... MARIE: Eamon.
You should go.
EAMON: What have you done? BOURNE: It's not her. It's me.
You need to get out of sight and in the basement as quick as you can.
CLAUDIA: Daddy.
I'm sorry.
Let's go.
[Suspenseful music escalates]
MARIE: The phone is dead. BOURNE: Yeah.
Jason, who's out there? Who is it?
[Cursing in German]
MARIE: What are you doing?
Oh, no.
We should never have come here. I... These children...
That's not gonna happen.
[Intense rhythmic music]...
...[Rapid gunfire]...
...[Gunfire]...
...[Birds scatter and chirp]...
...[Gunfire]
BOURNE: Where is it? Where's the weapon?
Who else is out here? Who else? How many you got with you?
BOURNE: I'm not gonna ask you again.
I work alone. Like you.
We always work alone.
BOURNE: What do you mean? PROFESSOR: Who are you? Rome?
Paris?
Treadstone, both of us.
BOURNE: Treadstone? PROFESSOR: Which one?
Paris. I live in Paris.
PROFESSOR: You get the headaches?
Yeah.
I get such bad headaches.
You know at night when you're driving a car?
Maybe it's the headlights.
What is Treadstone?
Treadstone said pills.
They said go to Paris.
Is Treadstone in Paris?
Look at this.
Look at what they make you give.
EAMON: All right, all right.
All right, Claudia, get in the front and put your belt on.
EAMON: All right, we're gonna put you in the back.
All right, get in the front, Claudia.
EAMON: I'm not waiting, Marie.
One minute, Eamon. - I'm not waiting.
MARIE: Please.
Take it.
BOURNE: I took out $30,000. The rest is yours.
MARIE: That's it? BOURNE: That's all I got.
No, that's not what I meant.
This is not gonna stop, Marie. You got to get out now. Away from me.
BOURNE: You got to get out. You got to start running.
You get low, you stay low.
No more friends. Nothing familiar.
There's enough in there for you to make a life. Any life.
EAMON: I'm out of here, Marie.
BOURNE: Hey.
Get in the car. You got to go.
What are you gonna do?
I'll end it.
Go ahead.
BOURNE: Please.
[Dialling and beeping]
Code in, please.
ZORN: Code in.
Code in.
BOURNE: Who is this?
Who the hell are you?
The man you sent is dead.
So whoever this is, you better start talking.
CONKLIN: Hello, Jason.
So, what are we into now?
It only goes two ways. Either you come in and let us make this right...
...or we'll keep going until we're satisfied.
You mean until you kill me.
I can't fix this if I don't know what the problem is.
Tell me what we're into, and I'll do the best I can.
Why don't you talk to Marie, Jason?
CONKLIN: Let's ask Marie what she wants. BOURNE: I don't think she gives a shit.
She's dead.
I'm sorry to hear that. How did that happen?
BOURNE: She was slowing me down.
CONKLIN: All we've been doing right from... BOURNE: Enough.
Enough.
5:30 p.m. Paris.
Today. Pont Neuf.
Come alone, you walk to the middle of that bridge.
You take off your jacket. Face east.
BOURNE: I'll redial this number. CONKLIN: Wait.
[Tense instrumental music]...
...[Phone rings]
First flight out. Tell Nicky I'll call from the car. Tell her to find Picot. Go.
ABBOTT: So...
What are we gonna do?
I told you I'd clean this up. That's what I'm doing.
Can you really bring him in?
I think we're past that, don't you?
Do you have a better idea?
You've given me nothing but a trail of collateral damage...
...from Zurich to Paris. I couldn't do much worse.
Why don't you go upstairs and book a conference room?
Maybe you can talk him to death.
[Suspenseful instrumental music]...
...[Suspenseful instrumental music continues]
COP 1: The bus, the tour bus, second level.
COP 2: Negative on the target.
COP 4: Position one? COP 2: Negative.
COP 4: Position two? COP 3: Negative.
[Speaking French]
COP 1: Position three, motorcycle.
COP 3: Negative.
COP 5: Negative.
[Cell phone rings]
Jason?
I told you to come alone. I guess that was too complicated.
BOURNE: So try this: I'm gone.
Fuck.
[Suspenseful rhythmic music]
CONKLIN: Get Nicky on the phone.
[Phone rings]
NICKY: Yeah?
CONKLIN: How long to wipe down the room and move it?
NICKY: Get rid of everything? CONKLIN: Yeah.
NICKY: Two to three hours. CONKLIN: All right, get started.
Listen, no breaks.
Two men outside, one in the lobby. And keep your eyes open.
COP 1: Keep the truck? CONKLIN: Keep the truck.
I'm gonna close this unit down. We'll move the gear in the truck.
NICKY: They were covering Spain, Malta, Morocco.
Yes, all local police radio traffic.
No, for northern Europe we need an authorised directive. Yeah.
Okay, they're on it. We'll have a satellite download in 30 minutes.
[Beeping]...
...[Car alarm sounds]...
...[Speaking in French]
CONKLIN: Where's your field box?
Where's your field box? - It's right there.
NICKY: The whole system's gone haywire.
That's this window right here.
Dining room window?
I don't get it.
Dead. The phones are dead.
It's Bourne, isn't it?
Just quiet.
You move, you die.
CONKLIN: Bourne.
Gun down.
In there.
Okay, so what do you want...
BOURNE: Treadstone.
You better take a look around. There's not much left.
Are you Treadstone? - Am I Treadstone? Me?
What the hell are you talking about?
He's lost it.
You better start filling in the blanks here. 'Cause I thought we were on the same side.
Whose side is that?
You don't know what you're doing, do you? You don't have a goddamn clue.
Who am I?
You're U.S. government property.
You're a malfunctioning $30 million weapon.
You're a total goddamn catastrophe.
And, by God, if it kills me, you'll tell me how this happened.
Why are you trying to kill me? - What happened in Marseilles?
You sent me to kill Wombosi.
Kill Wombosi? Yeah, we can do that any time we want.
I can send Nicky to do that, for Christ's sake.
Mr. Wombosi was supposed to be dead three weeks ago.
He was supposed to have died in a way that the only possible explanation was...
...that he'd been murdered by a member of his own entourage.
I don't send you to kill.
I send you to be invisible.
I send you because you don't exist.
I want to know what happened in Marseilles.
I don't remember what happened in Marseilles.
Bullshit. This is unacceptable, soldier.
You hear me? You failed.
Unacceptable? - You failed.
You failed and you're gonna tell me why. - I can't tell you. I don't remember.
You brought Kane to life. You put together a meeting with Wombosi.
You found the security company. You broke into the office.
For Christ's sake, you picked the yacht as the goddamn strike point.
CONKLIN: [Voice-over] You picked the boat.
You picked the day. You tracked the crew.
The food, the fuel.
You told us where. You told us when.
You hid out on that boat five days.
You were in, Jason. You were in.
It was over.
[Faint echoes of children's laughter]...
...[Eerie instrumental music]...
...[Gunfire]...
...[Thunder and lightning]
CONKLIN: No, you do remember.
Don't you?
I don't want to do this anymore.
I don't think that's a decision you can make.
Jason Bourne is dead. Do you hear me?
BOURNE: He drowned two weeks ago.
You're gonna go tell them Bourne is dead. Understand?
CONKLIN: Where are you gonna go?
I swear, if I even feel somebody behind me, there is no measure to how fast...
...and how hard I will bring this fight to your doorstep.
I'm on my own side now.
[Grunting]...
...[Gun shells fall to floor]...
...[Dramatic instrumental music]
It's done.
Shut it down.
[Soft instrumental music]
ABBOTT: The Treadstone project has already been terminated.
It was designed primarily as a sort of advanced game program.
We'd hoped it might build into a good training platform.
But quite honestly, for a strictly theoretical exercise...
...the cost-benefit ratio was just too high.
It's all but decommissioned at this point.
MARSHALL: All right, what's next?
ABBOTT: Okay, this is...
...Blackbriar.
Blackbriar is a joint DOD communications program...
...that we really feel has good traction to it. It's got legs. It'll run and run.
It combines elements of proactive and reactive fields of security...
BOURNE: This your store?
MARIE: Yeah.
It's nice. It's a little hard to find, but...
Think I could rent a scooter?
You have ID?
Not really.
[Fast-paced rock music]